Mahmoud Abbas

CAMERA Op-Ed: The Washington Post, Palestinians and the Super Bowl

Journalism is failing. Not because of revenue issues and the rise of digital media. But because of decreasing standards and ethics. The Washington Post, which paid ten million dollars for a Super Bowl ad but isn't willing to pay for an ombudsman, is a case in point.

CAMERA Op-Ed: Stop Whitewashing Ilhan Omar’s Antisemitism

With growing frequency, The Washington Post has published op-eds that effectively whitewash or obfuscate on antisemitism when it emanates from the left. The recent controversy over Ilhan Omar’s most recent antisemitic tweet offers several examples.

CAMERA Op-Ed: How the PLO Helped Create Iran’s Islamic Revolutionary Guards

Although Western press outlets and policymakers often discuss the Quds Force’s role as a purveyor of terrorism, less known is the pivotal role that the Palestine Liberation Organization (PLO) played in creating the IRGC. Today’s IRGC is a beneficiary of what was arguably the preeminent terrorist organization of the 1970s: the PLO

The Washington Post Covers Human Rights Abuses Committed by Palestinian Officials

The Washington Post highlights abuses by the Palestinian Authority and Hamas. However, the paper's coverage of the topic is belated and seemingly spurred by its reliance on an anti-Israel NGO. Other draconian measures by Palestinian officials, such as their imprisonment and threats towards Palestinians who sell or rent land to Jews, are omitted by The Post.

CAMERA Op-Ed: The Washington Post Soft-Pedals BDS

The Washington Post continues to obfuscate on the goals of the anti-Israel boycott, divestment and sanctions (BDS) effort. The Post hides the real agenda of BDS and omits the movement's ties to terrorist-linked entities. In so doing, the newspaper violates its own stated standards and policies.

CAMERA Op-Ed: The Oslo Diaries and Yasser Arafat’s Trunk

Twenty-five years after the Oslo Accords, many media outlets, and a new "documentary" from HBO, omit the reasons for their failure. Those watching the HBO film are presented with superficial history and images, with much of the real story left on the cutting room floor.