Eric Rozenman

USA Today’s “Tit-for-Tat” Editorial

In an attempt to draw parallels between the two sides, USA Today's August 21 editorial "Nurture peace hopes" completely misrepresents current Israeli-Palestinian realities by trying to present an Israeli-Palestinian "cycle of tit-for-tat bloodshed." Israeli counter-terrorism is no more part of a "cycle of bloodshed" than police arresting murderers is part of a "cycle of crime."

When Moore is Less at the Washington Post

Correspondent Molly Moore’s often problematic coverage of Israeli-Palestinian news is highlighted by her dispatch, “A Leader's Conflicting Impulses; Palestinian Is Known for Strong Views, but Shuns Confrontation,” page one, The Washington Post, May 10.

The Blame Game – Inverted

Does the conflict between Palestinians and Israel prevent the expansion of democracy (including religious freedom), economic development and social diversity (including minority equality) in the Arab world? Or is that conflict a result of deeply-rooted anti-democratic and socially intolerant beliefs among many in the Arab world?

CAMERA Letter-to-the-Editor Addresses Misconceptions about “Double Standards”

The allegation that the United States maintains a double standard with regard to its policies toward Iraq and Israel was echoed in a recent Washington Times column by veteran reporter and editor Arnaud de Borchgrave. De Borchgrave, who has extensive Middle East experience, repeated but did not analyze the allegations.

Revealing Rerun

The Washington Post's Molly Moore is at it again. Her “Watching the War; To Young Palestinians, Images of Suffering Are All Too Familiar,” (April 3) is the latest one-sided portrayal of Palestinians as victims of Israel. She uncritically interviews several West Bankers who claim to identify with televised images of Iraqi civilians frisked at U.S. checkpoints or “children bloodied by shrapnel from missile strikes.” Moore is a Jerusalem-based correspondent for the Post, but at least this offering did not make the hard news “A” section. Editors ran it in “Style,” home to fashion, fads and celebrities.