Haaretz’s Uri Misgav Revives Discredited National Library Bunker Story

Months after numerous Israeli journalists determined a Channel 11 report claiming Prime Minister Netanyahu demanded that the National Library build an underground bunker to house his father's work was baseless, Haaretz's Uri Misgav repeats the story. Instead of correcting, editors add the library's denial.

Infamous Anti-Israel Opera Refuses to Go Away

Adams' opera “The Death of Klinghoffer” demonizes Israelis and Jews as a group but not so Arabs or Muslims. Despite controversy and generally mediocre music, the opera persists.

Television’s Homeland Melodrama Demonizes Israelis

Showtime premium cable network vilified West Bank Jewish residents in a recent broadcast to tens of millions of viewers of its popular fictional Homeland melodrama series. Mandy Patinkin is a co-star/co-producer of the program.

CAMERA Op-Ed: Beyond ‘Klinghoffer’

One of the most controversial operas in recent memory, "The Death of Klinghoffer," which had its (New York) Metropolitan Opera debut on Oct. 20, is a vehicle for tendentious anti-Semitic and anti-Zionist slurs. When considered together with other operas by the same composer and librettist, it represents something more — a prejudicial obsession with Jews.

NY Times, Boston Globe Defend Anti-Israel “Death of Klinghoffer” Opera

The only major newspapers to editorially comment following New York’s Metropolitan Opera cancellation of the international simulcast of "The Death of Klinghoffer," The New York Times and Boston Globe, are either unwilling or incapable of acknowledging the stark truth that demolishes their argument for support of the opera.

UPDATED: Met Cancels Simulcast, Now Should Reject Antisemitic Opera

New York’s prestigious Metropolitan Opera, under the leadership of Peter Gelb (pictured), on June 17 cancelled plans to simulcast the John Adams/Alice Goodman opera “The Death of Klinghoffer” on theater screens around the world, reducing the potential audience for this antisemitic work by hundreds of thousands. This comes immediately after CAMERA’s successful campaign which led to a deluge of protests via letters and phone calls to The Met, to the media, and to sponsors of the simulcast and the simulcast company.

Anti-Israel Opera to Be Viewed Live by Hundreds of Thousands

“Mr. Gelb, … it was with dismay and disappoint-ment that I learned that the Met had scheduled its first-ever performances of John Adams’s 'The Death of Klinghoffer.' Mediocre music … a tendentious story line and an inflammatory libretto that falsely maligns Israel and the Jewish people.” (From CAMERA’s open letter to Met Opera general manager).