Hamas's vast, sprawling underground has thwarted Israeli ambitions for a quick war, and is being used to hide hostages and ferret men and munitions. And as CAMERA tells the Washington Examiner, foreign aid helped build these tunnels.
Conflating illegal forced displacement with Israel's temporary evacuation of civilians for their own safety, Deutsche Welle casts Israel's evacuation of Gaza Strip residents from combat areas for their protection as no less than a potential crime against humanity.
Calling a terror operative a journalist doesn’t make him one, CAMERA's Tamar Sternthal writes in The Algemeiner. The AP’s rough schooling in this lesson began with a mundane correspondence, progressed to the most devastating slaughter of Jews since the Holocaust, and continued with a hugely embarrassing court case.
A CAMERA Arabic exposé reveals that a senior Hamas propagandist has been regularly featured as a “journalistic author” on BBC Arabic without any disclosure of his Hamas leadership roles.
As media reports emerge regarding Hamas’ claim that a journalist was killed in an overnight Israeli airstrike, CAMERA reminds the press corps that in 2018 the media-watchdog organization documented that photographer Hassan Eslaiah was an employee of Hamas’ Al Quds TV, and was therefore a Hamas operative, not a journalist.
Recently revealed internal AP correspondence provides a unique window into CAMERA’s often quiet but effective and persistent work, the organization’s impactful interactions with the international press corps and its enduring reverberations well outside journalistic circles.
The Washington Post has found itself making the news more often than its been breaking stories. The once venerable newspaper has been bleeding staff and subscribers. But its failures aren't easily fixed.
Media critics reveal that "Gaza: How to Survive a Warzone" is essentially a Hamas production, leading to the broadcast's removal, a national outcry and calls for a parliamentary investigation.
As a music magazine, Rolling Stone has no obligation to cover these events at all. Yet it not only chooses to do so, it chooses to do it in a manner that misinforms and misleads its readers. This is the last of a three-part series.
Creating a narrative, absolving Hamas: This is the first of a three-part series examining Rolling Stone’s coverage of the war in Gaza that started on October 7, 2023.
