The Independent's analysis appears motivated by a desperate desire to obfuscate the malevolence and likely Islamist extremist inspiration for the FlyDubai hijacking, while saving all of his outrage for Israel, and providing succor for conspiracists.
Motaz Azaiza dazzled the Western media with his coverage of the war in Gaza for four months, before he left. But when he revealed that Hamas controls the narratives that come out of Gaza, the press suddenly had nothing to say, CAMERA's Jennifer Kouzi writes at JNS.
Gaza’s civilian deaths have become a weapon in the information war, creating a dangerous incentive to put civilians in harm’s way, CAMERA's Leah Benoz writes in The Jerusalem Post.
“NAZA” claims to “describe things as they really are.” Based on Yuval Abraham’s track record, the film expects a gullible audience to blindly trust but not verify, CAMERA's Shlomi Ben-Meir writes in TheWrap.
Imagine for a moment if a far-right U.S. filmmaker made an anti-black documentary with a variation of the “N”-word as the title, but without the “r” at the end, CAMERA's Adam Levick writes at JNS. The moral equivalent of such an obscene racist swipe, though aimed at another historically oppressed minority, was used in the title of a documentary produced by The Guardian newspaper.
The New York Times had many words to describe Yemen's Ansar Allah (Houthis), none of which conveyed the death and destruction the designated terror group has inflicted inside and outside of Yemen.
News agencies should report what leaders say and do, not speculate about their private intentions, dreams, or desires, CAMERA's Tamar Sternthal writes in The Jerusalem Post.
PBS recently covered the ongoing fighting in Lebanon between the IDF and Hezbollah. But the outlet's coverage disproportionally focused on the effects of the fighting in several Hezbollah-linked villages, and not the cause.
NPR misled its audience when it edited out critical portions of Israeli Defense Minister Israel Katz's remarks, twisting his words into something nefarious.
