In a pair of articles, The New York Times discovered there was nothing nefarious that could explain the overwhelming popular vote garnered by Israeli Eurovision contestants in 2024 and 2025. In grappling with how so many people voted for Israel, the authors failed to understand the moment in time.
Though the headline of a Francesca Albanese profile published at British Vogue, “Francesca Albanese Wants The World To Wake Up”, is a reference to her new book’s 'insight' into injustices against Palestinians, her long record of hateful rhetoric suggests what she wants “the world to wake up” to is the threat posed by Jews.
New allegations on International Criminal Court prosecutor Karim Khan's relationship with Qatar. Israel sent defense systems and Israeli troops to UAE to help defend against Iranian missiles in March. Hamas sexually assaults young Gazan boys and the mainstream media has been silent.
In failing to report any of the violence and criminal activity which Palestine Action detailed in its manual and committed in England, Agence France Presse took a sledgehammer to the news agency's own working manual on editorial standards and best practices.
In mislabeling NYC Mayor Zohran Mamdani a "sharp critic of Israel," the New York Times rebrands and minimizes hateful anti-Zionism while gaslighting Jews and misleading readers. We have a new term for this: blue-and-whitewashing.
While Amnesty International has explicitly labeled Israel’s actions in Gaza a “genocide,” the organization’s recently published report on Oct. 7 omitted years of statements by Hamas leaders and language from its charter demonstrating genocidal intent against Jews.
Hamas weaponizes activist-physicians and prominent physician groups to sanitize its terrorist crimes, falsely portraying Israel as committing genocide. Humanitarian platforms and medical journals amplify this disinformation, creating a self-reinforcing echo chamber that deceives global audiences and legitimizes a dangerous, false narrative.
The New York Times’ glowing profile of Francesca Albanese, a UN official who has trafficked in antisemitic tropes and conspiracy theories, recasts an extremist as an “optimist,” transforming a dark record into light and journalism into hagiography.