International efforts to sully the IDF’s reputation and blunt its effectiveness target uninformed audiences in hopes of undermining recognition of the army’s stellar record.
AP casts the looming eviction of the Sub-Laban family as a narrative of Jewish encroachment in Jerusalem's Muslim Quarter. Only after CAMERA's intervention, does AP add information giving a different picture.
J Street took to the pages of USA Today, minimizing the important role of Grand Mufti Haj Amin al-Husseini and Palestinian Arabs in the Holocaust while it criticized Israeli Prime Minister Benjamin Netanyahu.
J Street joined the pro-Tehran National Iranian American Council in cheering Congress' support of the Iran nuclear deal. CAMERA's Washington Jewish Week Op-Ed highlights the groups' connections.
J Street's "pro-Israel, pro-peace" slogan, often accepted without scrutiny by the Jewish and general press, got a closer look in a CAMERA's Washington Jewish Week
Op-Ed, 'J Street without spin.' Slogan, or Silly Putty?
When the Capitol Hill newspaper Roll Call recently took J Street's "pro-peace, pro-Israel" slogan at face value, and implied that the group was on the cutting edge of support for a "two-state solution," CAMERA corrected the record.
English translators for the Israeli daily repeatedly minimize or expunge information about Arab wrongdoings appearing in the Hebrew original. At times, the English account is completely at odds with the original Hebrew.
J Street, the "pro-Israel, pro-peace" lobby often pro-Palestinian and anti-Israel, and the District of Columbia Jewish Community Center's Theater J, which has staged anti-Israel agitprop in the name of art, get sanitized in the same Washington Post edition.
The New York Times' Ethan Bronner has once again provided a platform for a fringe extremist Israeli group to air its views unchallenged. The July 27 article is, in effect, an advertisement for a radical organization which calls itself "We Will Not Obey," whose purpose is to illegally smuggle Palestinian women into Israel.
On Ynet, a staged scene filmed by a B'Tselem photographer stands in for actual reporting. Elior Levi reports without question that the mother of an arrested boy was denied permission to accompany him while the footage proves the opposite.